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The Lonely Ones
Curated by Katelyn Eichwald
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February 15 - March 30
The lonely ones, the broken-hearted, the estranged, the ones whose mothers loved them wrong, the ones whose fathers loved them weak, the ones whose sisters and brothers died young, whose husbands and wives are out with their lovers, whose neighbors keep the curtains closed, whose dogs are in pain, whose cats have slipped out the door and not returned, whose days stretch out like dry tongues, whose fingers and toes are numb, whose boots are full of mud, who have not had someone else’s hands in their hair in many years, whose contacts are torn in their little plastic pools, whose texts are left unread, whose children have moved to California and New York, whose light bulbs have shattered in their lamps, whose teachers do not remember them, whose doctors do not believe them.
Richard Bosman Mary Herbert Greg Burak Sophia Heymans Kaye Donachie Claudia Keep Katelyn Eichwald
Luis Fernández del Piñar Rueda Kyung-Me Danielle Mckinney Sally J. Han Mayumi Nakao Alyne Harris Paige Turner Uribe -
LUIS FERNÁNDEZ DEL PIÑAR RUEDA (PAQARU)
Ghost Infested Village, 2020Pencil and pen on paper11 5/8 x 14 3/4 in29.5 x 37.3 cm -
Luis Fernández del Piñar Rueda (Paqaru)
Untitled (Hyenas), 2018Pencil on paper11 3/4 x 16 1/2 in
29.7 x 41.9 cm -
Katelyn Eichwald
Done, 2021Oil on linen8 x 6 in
20.3 x 15.2 cm -
Katelyn EichwaldLeaving, 2021Oil on linen10 x 13 in
25.4 x 33 cm -
Kaye Donachie
After the Long Enduring, 2021Oil on linen21 5/8 x 15 3/4 in
54.9 x 40 cm -
ANTONIO CANOVA
Head of Medusa, c. 1801
Courtesy of The Art Institute of Chicago.
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Thomas Eakins
Thomas Eakins and John Laurie Wallace on a Beach, ca. 1883
Courtesy of The Metropolitan Museum of Art, New York.
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MARY HERBERT
Two Secrets (Unnamed Grief), 2021Soft pastel on paper6 7/8 x 7 5/8 in
17.5 x 19.5 cm -
MARY HERBERT
To See Through It, 2020Soft pastel on paper9 1/2 x 9 1/4 in
24 x 23.5 cm -
Frederick Sandys
Until Her Death, 1862
Courtesy of The British Museum.
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Sophia Heymans
Braiding The Rain, 2020Paper mâché, mop strings and oil on canvas42 x 50 in
106.7 x 127 cm -
Sophia Heymans
Always Falling, 2021Paper mâché, molding paste, moss, mop strings, oil on canvas42 x 42 in
106.7 x 106.7 cm -
PAIGE TURNER-URIBEEl Capitan Train, 2018Oil on canvas12 x 16 in
30.5 x 40.6 cm -
Dagger with Scabbard,
Courtesy of The Metropolitan Museum of Art, New York.
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Paige Turner-Uribe
Century City Haze, 2019Oil on canvas16 x 20 in
40.6 x 50.8 cm -
Torso of a High General,
Courtesy of The Metropolitan Museum of Art, New York.
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KYUNG ME
a boy and a horse, 2020Ink, graphite and charcoal on paper10 x 14 in
25.4 x 35.6 cm -
Whip Handle in the Shape of a Horse,
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KYUNG ME
a boy and a horse, 2020Ink, graphite and charcoal on paper10 x 14 in
25.4 x 35.6 cm -
Mayumi Nakao
On the train, 2018Oil on canvas24 x 18 in
61 x 45.7 cm -
Jean Baptiste Siméon Chardin
The White Tablecloth, 1731/32
Courtesy of The Art Institute of Chicago.
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Sally J. Han
Quiet Place, 2020Acrylic paint on paper mounted on wood panel24 x 30 in
61 x 76.2 cm -
Pierre Andrieu
Wounded Lioness, 1840/50
Courtesy of The Art Institute of Chicago.
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Richard Bosman
Phone Booth, 2016Oil on canvas20 x 20 in
50.8 x 50.8 cm -
Alyne Harris
Untitled, 1980sAcrylic on canvas board20 x 24 in
50.8 x 61 cm -
Jean Louis André Théodore Géricault
Head of a Guillotined Man, 1818/19
Courtesy of The Art Institute of Chicago.
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ALYNE HARRIS
Untitled , 1980s
Acrylic on canvas, in homemade frame28 1/2 x 39 1/2 in
72.4 x 100.3 cm -
King Vulture, 1734
Courtesy of The Art Institute of Chicago.
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Dreamed I’m in a dry riverbed in the woods, looking through old things collected there. This is dinosaur country. I find an old chest, blood red, Spanish. It’s empty, but I notice a secret compartment. Inside is a pair of child’s cowboy boots. I remember putting them there years ago, and I know my own feet are inside.
- Katelyn Eichwald
