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GREG BURAK ON ROSEMARIE BECK
I was introduced to Rosemarie Beck’s work early in my study of painting by my first painting teacher, professor Catherine Drabkin. Seeing Beck’s work at that time revealed a possible path through painting and figuration. I still have a catalog of her work from that early encounter. In 2018, Catherine gave me Letters To A Young Artist and Other Writings, edited by Eric Sutphin, as a gift. Catherine’s recommendations have always been thoughtful, but this collection of writings was especially impactful. It reconnected me to that initial spark of discovery I felt when I first fell into painting and to the excitement of beginning again.
Beck’s resolute letters provide ballast to both practical and holistic studio challenges. She speaks to the complexities of narrative figuration and the continual task of relocating one’s self within parameters, the question of balancing the materials and the narrative. In her letter to W. she considers the aesthetics of doubt in painting and it’s inevitability. The problem solving process inherent to painting becomes forward momentum.
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Greg Burak: Fortnight Institute Library & Salon
Past viewing_room